BILBAO FINE ARTS MUSEUM
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ADDRESS: |
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Plaza del Museo 2. 48011
Bilbao. |
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OPENING HOURS: |
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From 10 am to 8 pm. |
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- Permanent collections:
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ZAINDU
- THE MUSEUM RESTORES, 2007 ZULOAGA
DEPOSIT
The Museum has
received a major work by the painter Ignacio Zuloaga (Eibar,
1870–Madrid, 1945), The Victim Of The Fiesta, in deposit from The
Hispanic Society of America in New York, and which will be on display in
the Mogrovejo Hall of the Old Museum building until October 2009. |
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- Exhibitions for the new season:
"THE
YOUNG MURILLO".
October 19, 2009 - January 17, 2010
Curated by Alfonso E. Pérez Sánchez and Benito Navarrete, the exhibition will include fifty or so works by the young Murillo (Seville, 1617-82) from a crucial period in his career, one represented--through some particularly fine works--in the collections of both Bilbao and Seville Fine Arts Museums: St. Peter Weeping (c.1650-55) and St. Lesmes (c. 1655) in Bilbao, and St Francis (c.1645-50) and San Jerome (c. 1665-75) in Seville. Around 1640 Murillo achieved his first artistic successes, launching a career in the ascendant. During this early period Murillo produced an oeuvre marked by a taste for tenebrism and naturalism, a reflection of the durable influence of masters from the previous generation, like Zurbarán and Ribera, particularly in the way he plays with the light and dark and his close observation of his subject.
"ORDOÑEZ-FALCÓN
COLLECTION (1852-1913)".
September 21, 2009 - December 13, 2009
From 21 September to 13 December 2009, the Bilbao Fine Arts Museum will be exhibiting 47 photographs from the Ordóñez-Falcón Collection recently acquired by the Museum Collection as a deposit. This new set is an addition to the original group of photographs from this prestigious collection deposited at the Museum in 2007, which also featured in an exhibition in summer 2008. Taken together, the two deposits are an outstanding sample of works by pioneering photographers from the second half of the 19th century to the early years of the 20th century. Taken by many leading photographers of their day, including Olympe Aguado, Emil Mayer, Ernest James Bellocq, and photographic studios like Jean Laurent’s or the Atelier Nadar, the photographs in the exhibition provide a fascinating insight into the way photographic techniques developed and evolved in the latter half of the 19th century. Many of the photographs on display are both outstanding works of art in their own right and documents of major historical importance; included are the 1852-53 portrait of Victor Hugo by his son Charles-Victor, and Edweard Muybridge’s studies of the human body in motion that captivated the artist Francis Bacon. The remarkable thematic and technical variety of the photographs on display, with landscapes, cityscapes, flowers and plants, portraits, still life, popular scenes, documentary views, scientific images and historic buildings, gives today’s viewers a window onto a vanished world, while underscoring the extraordinary range of uses to which photography was put from the mid-19th century on.
"REFLECTION
WITH TWO CHILDREN (SELF-PORTRAIT)".
October 06, 2009 - January 10, 2010
Lucian Freud (Berlin, 1922) is one of the most important livings painters in contemporary art and certainly one of the most representative artists of his generation owing to his having played a fundamental role in the continuity of figurative tradition in XX century British painting.
In his "Reflection with Two Children (Self-portrait)", which dates from 1965 and belongs to the collection of the Thyssen-Bornemisza Museum, Madrid, Freud painted himself in the company of his two small children. This singular work was painted in the artists rather peculiar style characterised by his painting portraits and nudes of the human figure in stark and meticulous realism using a palette of flat colours.
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Next exhibitions:
- Finished exibitions:
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"THE
SPLENDOR OF THE RENAISANCE IN ARAGON". One hundred or so paintings, sculptures, drawings and objects crafted in gold and silver are designed to show how art developed in 15th and 16th-century Aragon. Following guidelines laid down in the 15th century, over the next hundred years art—sculpture in particular—enjoyed a kind of mini-golden age sustained by a steady stream of commissions. Beginning with works of Gothic art from the 15th century by sculptors Pere Joan, Miguel Ximénez and Martín Bernat and painters Bartolomé Bermejo and Blasco de Grañen, the exhibition takes us through to the splendour of the Renaissance in the 16th century. Works by major artists of the period, including the sculptors from the Forment family and Basque sculptor Juan de Anchieta, and painters Juan de Juanes and Jerónimo Cosida, will be shown alongside some examples of the art, basically from Flanders and Italy, that exerted so much influence on developments in Aragon. |
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"ZUMETA. OI! BIHOTZ AY! CORAZÓN OH! HEART". Las 38 serigrafías que se presentan en esta exposición forman parte del libro Oi! Bihotz Ay! Corazón Oh! Heart que José Luis Zumeta (Usurbil, Gipuzkoa, 1939) ha creado inspirado por textos y poemas incluidos en la revista Globo rojo, escrita por los internos del Hospital Psiquiátrico de San Juan de Dios en Santa Águeda, Mondragón (Gipuzkoa) y estampado por Usoa Zumeta. Siempre me han interesado los trabajos de gente que está al margen, fuera de la academia del oficio del arte, como grafitos, las pinturas de niño, el arte popular…con estas palabras Zumeta da cuenta del origen de este proyecto. El libro es una edición limitada de 150 ejemplares, numerados y firmados, impresos en serigrafía sobre papel hecho a mano. |
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"JOAQUIM
MIR. ANTHOLOGY. 1873-1940". Joaquim Mir was one of the most famous and influential painters in Catalonian art in the early 20th century. This selection of 80 works, including oil paintings, pastels and drawings, most of them from private collections, gives a fairly complete overview of his career, in which an early inclination towards naturalism gradually transformed into a much more personal style closer to Impressionism and abstraction. The exhibition also provides a chronological review of the artist’s life, from his native Barcelona to his sojourns in Majorca, the Camp de Tarragona, the Vallès and Vilanova. Thanks to curator Francesc Miralles’s painstaking research and work of interpretation, this anthological exhibition will show some of the artist’s most mature, reflexive works, together with some that will be completely new to the general public. |
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"PAPEL
ART (VIII). LATE 19TH CENTURY-FIRST HALF OF THE 20TH CENTURY. FROM CÉZANNE TO LÉGER. BILBAO FINE ARTS MUSEUM
COLLECTION". The seventh edition of Art On Paper continues with the original idea for the programme of studying the artworks executed on paper in the Bilbao Fine Arts Museum collection. For the latest edition, the spotlight will fall on artists working at the turn of the century, including Cezanne, Guiard, Regoyos, Iturrino, La Fresnaye, Marcoussis, Baroja, Roualt and Zuloaga. Artists who broke with 19th century tradition to concentrate on the channels being explored by the avant-garde artists of the early 20th century. |
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"NOVECENTISMO
AND AVANT-GARDE (1910-1936) IN BILBAO FINE ARTS MUSEUM COLLECTION". After Basque Artists and From Goya to Gauguin, held in 2008 to shed fresh light on certain sections of the Museum collection, The Novecento and the Early Avant-garde now presents 80 works from the early 20th-century, in a selection of paintings, sculptures, exhibition posters and photographs by professor Eugenio Carmona. The early decades of the last century were crucial to developments in contemporary Spanish art, which is so well represented in the Museum collection. At the beginning of the century, the idea of the modern covered a broad spectrum of sensibilities, ranging from what was known as novecentismo (the novecento, i.e. the nineteen hundreds), which sought to create a refined art, almost classical in its restraint, to the avant-garde, most often identified with Cubism and Futurism. At the same time, the legacy of Symbolism and Impressionism continued to influence artists. In this context, a number of Basque artists tried to redefine the sense of local identity and the vernacular. |
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"THE
GUEST WORK". The Guest Work is an original Bilbao Fine Arts Museum initiative designed to display remarkable works from other museums or collections to enhance their understanding of artists whose works are in the Museum collection or simply to introduce our public to artists not represented here. Paul de Vos (Hulst, 1596-Antwerp, 1678) was trained in Antwerp, where he was Snyders´s disciple. Later, he worked with Rubens. He became specialized in paintings of animals and the still life using a richly and brilliantly coloured work, as Still-life with Servant Girl shows. |
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"CHILLIDA.
COMB OF THE WIND: SCULPTURE, ENGINEERING AND ARHITECTURE". In 1977 three steel sculptures by Eduardo Chillida (San Sebastián, 1924—2002) were installed in San Sebastián’s La Concha bay. Together the trio of sculptures form Comb of the Wind, one of the Basque sculptor’s most significant works. Photographs, plans, works on paper and sculptures show how the project developed from the sculptor’s initial idea to the definitive installation of the finished work. Integrating Chillida’s artistic beliefs and the contribution of industrial workers, architects and engineers, the project, begun in 1952, culminated in this landmark public sculpture, one of the finest and best known in the region. |
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"NESTOR
BASTERRETXEA. BASQUE COSMOGONIC SERIES". Basque sculptor Nestor Basterretxea (Bermeo, Biscay, 1924) recently donated one of the most celebrated series of Basque sculptures dating from the second half of the XX century to the Museum: the Basque Cosmogonic Series. The Series was first exhibited by the Museum in 1973. The current exhibition comprises 18 sculptures, 17 of which are made of oak and 1 of bronze, which the artist created between 1972 and 1975. The finely crafted works executed in contemporary language are based on mythological characters, forces of nature and traditional objects from Basque culture. Visitors will also have the opportunity of admiring 5 works from the Máscaras de la Madrina Luna Series created in 1977 as well as several preparatory drawings. It is also on exhibition two movies directed by Nestor Basterretxea and Fernando Larruquert, entitled Pelotari (1964) and Ama Lur (1968), and a documental about the artist. |
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"ON
LOAN FROM THE PRADO NATIONAL MUSEUM. GOYA". From 1941, this
remarkable portrait used to form part of the Félix Váldes Bilbao Collection.
After many changes in fortune, however, it was finally acquired by the Prado
National Museum in 1986. The portrait is currently on loan to us from the Prado.
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"SOROLLA.
A VISION OF SPAIN. THE HISPANIC SOCIETY OF AMERICA COLLECTION". Sorolla. A Vision of Spain. The Hispanic Society of America Collection includes fourteen murals produced by Sorolla between 1912 and 1919, in which he portrays his vision of the people and customs in a number of Spanish regions of the time. Commissioned by Archer Milton Huntington, founder of the Hispanic Society of New York, the paintings were destined for the Society’s reading gallery. This is the first time they have been removed from their original location. Each panel is 3,5 metres high and the entire cycle is 60 metres long. The murals are on a two years loan to Bancaja for inclusion in a travelling exhibition to a number of Spanish cities, including Valencia, Seville, Málaga, Bilbao, Barcelona and Madrid. |
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"THE
GUEST WORK". Hailing from the Ghent and Bruges region, Juan de Flandes (‘John of Flanders’) was an artist at the court of Isabella of Castile. This work was the central panel of a retable dedicated to Saint John the Baptist he painted for the Charterhouse at Miraflores (Burgos). The panel shows the baptism of Christ through two rites, one being immersion, with Christ in the River Jordan, the other aspergillum, or sprinkling, also performed by St. John the Baptist. Following the Biblical text, the Holy Spirit appears above Christ in the form of a dove; the scene is completed with God the Father surrounded by angels. Gems and precious stones in the foreground symbolize Paradise, and the piece of coral Christ’s death and holy Resurrection. |
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"PAPEL
ART (VII). PICASSO AND BOOKS. BANCAJA COLLECTIONS". Included in this exhibition are twenty-five books from the Bancaja Collection, each of which provides an insight into the most important aspects of a little-known facet of the artist’s activity. Picasso produced illustrations for books by several major writers in what were conceived as very special editions, often for a highly select public. The artist employed a wide variety of techniques to illustrate works by a broad range of authors, from the Greek classics to contemporaries, acting as sole artist-illustrator or sharing the task of illustrating with others. He was equally happy working for the most powerful publishers or disinterestedly for friends. |
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"THE
GUEST WORK". With her father
Orazio, Artemisia Gentileschi (Rome, 1593-Naples, 1652/53), was part of the
group of painters most directly influenced by Caravaggio. Giuditta e Oloferne
(Judith and Holofernes), one of the masterworks in the Capodimonte Museum
collection in Naples, has a number of interesting features beyond the high
quality of the work. Art historians have long interpreted the picture in
autobiographical terms, linking it to the artist’s legendary and, on occasions,
tragic life. |
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"ORDOÑEZ
- FALCÓN COLLECTION. PIONEERS OF PHOTOGRAPHY (1845-1930)". One of the most
important collections of photography in the world in private hands, the
Ordóñez-Falcón collection comprises more than 1.500 works from different times,
with a broad range of tendencies and techniques, by the leading authors in the
history of photography. |
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"FROM
GOY TO GAUGUIN. THE 19TH CENTURY AT THE BILBAO FINE ARTS MUSEUM". Begun nearly a century ago, the Bilbao Fine Arts Museum’s valuable collection of 19th century paintings and sculptures today numbers more than three hundred artworks. The painstaking selection of 66 artworks by 47 artists included in the exhibition covers a remarkable variety of modes of artistic expression including the cabinet painting, realist landscapes, portraits and paintings of popular and historical scenes. The selection includes artworks by some leading names in the international art world, from Goya, Cézanne and Gauguin to Madrazo, Sorolla and Picasso. Also included are works by a substantial group of Basque artists, such as Guiard, Regoyos, Iturrino and Zuloaga, among others. |
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"THE
GUEST WORK". The Museum’s latest
Guest Work is a portrait by Jacopo Robusti (Venice 1518/19-1594) better known as
Tintoretto, one of the great painters of the Venetian school and one of the
Renaissance Masters. |
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"PETER
BLAKE. RETROSPECTIVE". First presented at the Tate Liverpool in summer 2007, the exhibition is a retrospective of the work of one of the leading representatives of British Pop Art, Peter Blake (Dartford, Kent, 1932). A selection of more than 100 artworks from museums and private collections in the UK, Italy, France, Germany and Japan provides a fascinating overview of his entire career, from the earliest works in the mid-1950s to the present day. The paintings, drawings and engravings included in the show highlight Blake’s extraordinary range of images, which includes references from contemporary popular culture (boxers, actors, musicians, mass media, advertising and comics) and from the history of art, the British tradition and his own life. |
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"BASQUE
ARTISTS.BILBAO FINE ARTS MUSEUM COLLECTION". Holder of the finest collection of works by Basque artists, the Bilbao Fine Arts Museum has organized this exhibition to highlight this now traditional feature of its collection and the Basque artists who actively supported the Museum’s creation and development: Manuel Losada, for example, was the first director of the Bilbao Fine Arts Museum, from 1908 to 1948, and Aurelio Arteta, the first director of the Museum of Modern Art from 1924 to 1942. Today’s Museum was created from the merger of the two. But many other painters and sculptors have cooperated at different times in directing the Museum or through donations of works. Coinciding with the publication of an original Guide to Basque Artists in the Bilbao Fine Arts Museum, the exhibition, in the Museum’s centenary year, is both a tribute to the institution and witness to how many leading local artists hailed the Museum’s arrival and subsequent work. |
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"SALA
STUDIO (1948-1952). AN ART ADVENTURE IN POSTWAR BILBAO". The exhibition explores the story of the Sala Stvdio gallery in Bilbao, which presented new and groundbreaking artists from 1948 to 1952. Directed by Willi Wakonigg (1914—2000), the Gallery organized conferences and concerts, put on plays, ran a film club, as well as exhibiting works by, among others, Jorge Oteiza, Maria Paz Jiménez, Jesús Olasagasti, Menchu Gal, Agustín Ibarrola, Picasso, Vázquez Díaz and André Masson. A selection of 70 artworks giving tantalising view of the major artists who showed at Sala Stvdio during its short lifetime is accompanied by a documentary section, with correspondence, drawings and photographs recording the gallery’s activities. |
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"THE
GUEST WORK". This is a spectacular view of the inner courtyard of the Palace of the Dux of Venice, facing the San Marcos Basilica. The latter’s domes, silhouetted against a totally clear, brilliant blue sky, are seen behind the splendid palace architecture which, in turn, is bathed in the light of a radiant sun that sharply outlines its reliefs in intense chiaroscuro. Rico takes special care to include small figures whose clothing and movements are painted with extreme delicacy. In a highly unusual format for the artist, this picture was painted in 1883, during the artist’s period of full maturity. It bears witness yet again to the special seduction exercised by the city of Venice on Martín Rico. His superb talent for urban landscapes was achieved by means of clean, accurate drawing, the fruit of his very sharp observation of life interpreted through the luminous preciosity learned from his great friend Mariano Fortuny. |
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"20TH CENTURY
ART COLLECTION". An exceptional set of artworks from an anonymous local art collector who has deposited the works in the Museum for an initial period of five years. Altogether, the show comprises 63 artworks (48 paintings and 15 sculptures) by 46 leading 20th century artists, although the collection also has a number of works from the 19th and the 21st centuries. Some illustrious names on the list of artists involved (Sorolla, Nonell, Kandinsky, Torres García, Julio González, Picabia, Klee, Picasso, Blanchard, Gleizes, Léger, Braque, Metzinger, Gris, Solana, Chagall, De Chirico, Ernst, Miró, Dalí, Domínguez, Palazuelo, Tàpies, Chillida, Millares, Saura, Gordillo, Serra, Cragg, Navarro, Kapoor and Barceló) give a fair idea of the scope and interest of this exhibition. |
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"PAPER
ART (VI).THE BILBAO FINE ARTS MUSEUM COLLECTION. THE 19 CENTURY". PAPER ART presents a series of monographic exhibitions devoted to work on paper. Some of the works belong to the Museum’s collection and some are from other collections. On exhibit on this particular occasion will be the second part of the 19th century works from the Museum’s collection, with drawings, water colours and engravings by artists such as Paul Cézanne, Rosa Bonheur, Mariano Fortuny, Adolfo Guiard, Ricardo Baroja, Anselmo Guinea and Darío de Regoyos, among others. |
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"ACQUISITIONS
02/07". Within the framework of the agreement on collaboration with BBVA aimed at giving greater value to the Museum’s collection through new acquisitions, this exhibition presents all the works purchased between 2002 and 2007. There are almost 90 works and among them can be found those of artists included for the first time in the collection -Jenaro Pérez Villaamil, R.B. Kitaj, Peter Blake, John Davies, Miquel Barceló, Markus Lüpertz, Jacques Lipchitz, Juan Luis Moraza or Darío Urzay- and those of others, whose presence has been complemented with new works -Eduardo Zamacois, Vicente López, Jorge Oteiza, Eduardo Chillida, Vicente Ameztoy, Juan José Aquerreta, Amable Arias, Txomin Badiola, Luis Fernández, Pablo Palazuelo or Alfonso Gortázar- |
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"POUSSIN
AND NATURE". Landscapes played an important part in the works of Nicolás Poussin (1594-1665), from his first Roman works between 1624 and 1630 up to his final years. The exhibition includes eighty works which will enable the public to understand both Poussin’s evolution in style and the transformation of his aesthetic thinking when confronting nature sometimes wild and sometimes domestic, which he depicted like few artists of his time. The scientific management of the project is the responsibility of one of the most reputed specialists in the French painter’s work, Pierre Rosenberg, honorary President-Curator of the Louvre, who has prepared a selection of paintings and drawings which will present Poussin’s contribution to landscape painting for the first time in Spain and the United States . |
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"BETWEEN
PICASSO AND DUBUFFET. JEAN-PALQUE COLLECTION". The exhibition includes 130 outstanding works of the Swiss collector, Jean Planque (1910-1998), a passionate connoisseur who was assessor to the prestigious Beyeler Art Gallery in Basel. Among those represented are some of the most important artists of the past century - Pierre Bonnard, Georges Braque, Paul Cézanne, Edgar Degas, Robert and Sonia Delaunay, Jean Dubuffet, Paul Gauguin, Juan Gris, Paul Klee, Fernand Léger, Manolo Millares, Claude Monet, Pablo Palazuelo, Pablo Picasso, Odilon Redon, Pierre-Auguste Renoir, Georges Rouault, Antoni Tàpies, and Vincent Van Gogh. |
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"SYNCHRONIZING GEOMETRY.
CARLOS FERRATER & PARTNERS (OAB)".
The exhibition in the
Bilbao Art Museum of the works from Carlos Ferrater & partners’ studio (OAB)
constitutes a more extensive version of that of September 2006 in the S. R.
Crown Hall of the School of Architecture of the Illinois Institute of Technology
(IIT) in Chicago. |
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"KISS
KISS BANG BANG. 45 YEARS OF ART AND FEMINISM". The exhibition,
Kiss Kiss Bang Bang. 45 years of Art and Feminism shows 69 works and 36 artists
and 3 feminist groups from various countries which initiated and/or have
continued to give substance to what has come to be known as “feminist art”. |
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"THE SPANISH PORTRAIT IN THE PRADO MUSEUM. FROM EL GRECO TO GOYA" |
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THE GUEST WORK. |
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"GUTIÉRREZ
SOLANAIN THE MAPFRE COLLECTIONS" |
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"OUT!
SERENE SHADOWS! THE VISUAL ASPECT OF THE VERDI SPECTACLE". ABAO, together with
the National Institute of Verdi Studies in Parma, and the collaboration of the
Bilbao Fine Arts Museum presents the exhibition: Out! Serene shadows! The visual
aspect of the Verdi spectacle. |
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"ZAMACOIS - FORTUNY -
MEISSONIER". |
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PAPER
ART (IV) CARLOS DE HAES. DRAWINGS AND ENGRAVINGS. THE BILBAO FINE ARTS MUSEUM
COLLECTION. Carlos de Haes (Brussels,
1826–Madrid, 1898) is one of the most important landscape artists in the second
half of the 19th century. From the San Fernando School of Art in Madrid his
influence was felt by Aureliano de Beruete, Jaime Morera, and Darío de Regoyos,
among others, and in the renovation of the landscape genre in Spanish paintings.
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"THE
GUEST WORK". |
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URRESTI COLLECTION. |
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PAPER
ART (III). CREATION OF LIGHT. JOHN MARTIN (1789-1854). PRINTS AND DRAWINGS FROM
THE CAMPBELL COLLECTION. We present the first monograph in our country dedicated to the English painter and engraver, John Martin (Haydon Bridge, Northumberland, 1789–Douglas, Isle of Man, 1854), one of the most outstanding romanticist artists and one of the foremost exponents of the aesthetics of the sublime, which seeks to arouse the viewer’s emotions through the representation of the supernatural and the unbridled power of nature. He succeeded in capturing this concept in his painting and especially in his engravings of great complexity as far as composition, thanks to his command of the mezzotint technique, with intense black as its base makes the whites of the shapes and objects stand out with very precise touches of light. |
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A
MULTIPLE LOOK A multipe look is an exhibition which will be held with works from the Museum’s own collection and it includes international works from the second half of the 20th century. Its title alludes to the wide variety of artistic movements arising once the Second World War had ended. This exhibition has made it possible to display artistic material which is not normally found on show and at the same time demonstrates what a rich collection the museum possesses. The visitor will be able to embark on an attractive journey through the fertile and varied artistic period that came to an end at the turn of the century and during which abstraction and realism co-existed as did geometry and the informalist art of material and gestural calligraphy. |
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"KASIMIR
MALÉVICH". |
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"THE
GUEST WORK". |
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"FROM HERRERA TO
VELÁZQUEZ. THE FIRST NATURALIST IN SEVILLA". |
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"The
guest work". |
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"The
guest work". |
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"LECTURES. EL BOSCO AND
THE PICTORICAL TRADITION ON THE FANTASTIC AT THE PRADO MUSEUM". |
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"The
guest work". |
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"BRITISH
POP". |
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"Paper
Art (II). Picasso: Trunk of Remorse". |
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"PARÍS
AND THE SURREALISTS". |
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"THE
GUEST WORK". |
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"DANIEL
VÁZQUEZ DÍAZ 1882-1969". |
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THE
GUEST WORK". Van Dyck (Amberes, 1598 – London,
1641) |
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"THE
BALERDI DONATION". |
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"John
Davies. Sculptures and Drawings since 1968". |
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"GUSTAVE
DORÉ. WORKS BELONGING TO THE MUSEÉ D'ART MODERNE
ET CONTEMPORAIN DE STRASBOURG". Ilustration.
Engravings. |
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GABRIEL
RAMOS URANGA. |
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"From
Ingres to Cézanne. The 19th century in the collection of the
Petit Palais". |
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"Kitaj.
Spain in me". |
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"Juan
de Echevarría". |
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"The
City that Never Was. Fantasy
Architecture in Western Art". |
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"THE
GUEST WORK". |
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"The
splendor of GenoVa. Paintings from the 16th, 17th, and 18th centuries
in Palazzo
Bianco’s collection". |
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"Amable
Arias. Sketches de lo invisible". |
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"Angel
Larroque". |
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"Bartolomé
Bermejo and his period". |
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"Jacques
Lipchitz". Drawings and Sculptures |
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"Bilbao
in illustrated periodicals (1843 - 1900)" |
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"Sleepers".
Abbas Kiarostami |
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"Museo,
un espacio transformado". Patxi Cobo |
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"Malas
Formas". Txomin Badiola |
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"Julio
Romero de Torres". |
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"Vicente
López. La invención
de un cuadro de historia" |
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"Del amor y la muerte".
Dibujos y
Grabados |
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"Ciudad Abierta,
Fotografía Urbana 1950-2000". Photography. |
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"Gaur, Hemen, Orain".
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ESCULTURA RODIN
EL JUICIO FINAL. ANTHONY CARO |
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